Playlist & edit by Jessica Petrylak
Playlist & edit by Jessica Petrylak
By Jess Petrylak
In light of the recent events in North Dakota, Artist of the Month does not seem applicable in my eyes unless it features the work, feelings and livelihood of the Native American artist. With this in mind, I thought it would be appropriate to compile a small list that merely scratches the surface of historically significant artwork being produced by generations of Native artists.
If you are, or know of anyone that creates autobiographical work (visual art, music, writings, etc.) that is also of Indigenous heritage (no, not if you’re 1/26th), please email me at jess@suckermagazine.com. We would be more than honored to feature you and give your voice a platform.
And please, help support the Standing Rock Sioux by participating in one or more of the following:
Edmonia Lewis
(July 4, 1844 – September 17, 1907)
Edmonia Lewis was the first woman of African American and Native American (Mississauga Ojibwe) heritage to be recognized to achieve recognition and fame in the fine arts world. Through the stylization of neoclassical sculpture, Lewis incorporated themes relating to being a double minority in America. Lewis’ career began to emerge during the Civil War era.
Mavis Doering
(August 31, 1929 – 2007)
An esteemed basket weaver, Doering incorporated elements of traditional Cherokee basket techniques with her own personal flair. She had once stated, “Basket weaving offers many things to me and, as a third generation weaver. I strive to do the best job I can so that my people would be proud”. Doering made her baskets from scratch, collecting her own natural dyes, hulls and leaves in her home state of Oklahoma.
Kenojuak Ashevak
(October 3, 1927 – January 8, 2013
Ashevak, a Native Canadian, is considered the most notable pioneer in modern Inuit art. After her father’s tragic death, Ashevak was taught traditional crafts by her mother and grandmother as a young child. Kenojuak Ashevak became one of the first Inuit women in Cape Dorset to begin drawing.
Juanita Growing Thunder Fogarty
(1969 – present)
Juanita Growing Thunder Fogarty was born in Castro Valley, California, however, her family comes from the Fort Peck Indian Reservation, where Juanita spent much of her childhood. Juanita was taught the art of bead and quillwork by her mother, who is also an acclaimed artist and often collaborates with her daughter. Juanita’s work is very labor intensive, gathering nearly everything she utilizes.
Helen Cordero
(June 15, 1915 – July 24, 1994)
Cordero was a lifelong resident and traditional potter of Cochiti Pueblo, New Mexico. She was renowned for her storyteller pottery figurines which were based upon the traditional “singing mother” motif. Cordero “followed a traditional way of life including digging her own clay and preparing her own pigments.” She used three types of clay, all sourced near her home of Cochiti Pueblo. Cordero’s work can be found in the Museum of International Folk Art and the New Mexico Museum of Art in Santa Fe, New Mexico, the Smithsonian American Art Museum in Washington, DC, the Heard Museum in Phoenix, and the Brooklyn Museum.